The Moas Saskatoon, Saskatchewan
THE MOAS pitch their musical tent somewhere between Stereolab, Yo La Tengo, and a hard place. Their music seamlessly
incorporates elements of shoegaze, garage rock, psychedelia, dream pop, and a heavy dose of analog.
Bliss out and grow your hair to this.
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supported by 16 fans who also own “Cast and Hold”
No wasted tracks on this or any of their releases. A really fine Scandinavian band I hope to see in the U.S.A. some day soon. Their thank you card is really nice too!
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supported by 15 fans who also own “Cast and Hold”
The more I listen to this album, the better it gets.
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supported by 15 fans who also own “Cast and Hold”
Going all the way back to debut on BC; Sweden's Star Horse set themselves apart from the slew of dream-pop wannabees with their killer hooks and perfect harmonies. "Kiss..." is single worthy; but Marybelle will get the "Gazers" attention with its hypnotic pace and phased guitars churning up a storm of sound. Name check genre founders for this track alone. Completes my Star Horse Collection. Waiting for next FULL release!
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The Last Thing Left
by Say Sue Me 세이수미
The South Korean indie pop quartet further refine their cozy blend of early ‘90s college rock and late ‘60s jangle.
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Continue Normal Living
by Absent City
Dreamy, intricate guitar pop from Oakland's Absent City; splashes of accordion, sitar, lap steel, and mandolin add textural richness.
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WAIT UNTIL THE FLAMES COME RUSHING IN
by Special Friend
This Parisian duo perfectly recall the best of slowcore, noise pop, and the brainier, more bummed out strains of 90s indie rock.
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supported by 14 fans who also own “Cast and Hold”
Slower Now was one of the first shoegaze songs i ever discovered on my own. I adore all Star Horses songs, but because of that this single in particular is always going to have a special place in my heart.
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