The Moas Saskatoon, Saskatchewan
THE MOAS pitch their musical tent somewhere between Stereolab, Yo La Tengo, and a hard place. Their music seamlessly
incorporates elements of shoegaze, garage rock, psychedelia, dream pop, and a heavy dose of analog.
Bliss out and grow your hair to this.
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supported by 16 fans who also own “Cast and Hold”
No wasted tracks on this or any of their releases. A really fine Scandinavian band I hope to see in the U.S.A. some day soon. Their thank you card is really nice too!
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supported by 15 fans who also own “Cast and Hold”
The more I listen to this album, the better it gets.
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supported by 15 fans who also own “Cast and Hold”
Going all the way back to debut on BC; Sweden's Star Horse set themselves apart from the slew of dream-pop wannabees with their killer hooks and perfect harmonies. "Kiss..." is single worthy; but Marybelle will get the "Gazers" attention with its hypnotic pace and phased guitars churning up a storm of sound. Name check genre founders for this track alone. Completes my Star Horse Collection. Waiting for next FULL release!
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The Last Thing Left
by Say Sue Me 세이수미
The South Korean indie pop quartet further refine their cozy blend of early ‘90s college rock and late ‘60s jangle.
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Continue Normal Living
by Absent City
Dreamy, intricate guitar pop from Oakland's Absent City; splashes of accordion, sitar, lap steel, and mandolin add textural richness.
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Parisian band wed bright indie rock hooks à to animated social critiques, battling existential malaise with synths, riffs, and dry wit.
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supported by 14 fans who also own “Cast and Hold”
Slower Now was one of the first shoegaze songs i ever discovered on my own. I adore all Star Horses songs, but because of that this single in particular is always going to have a special place in my heart.
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